密室談 第一發 / 土城密室
Chamber Talk 01 / Chamber in Tucheng
主持人 / Moderator / 高森信男 / Nobuo TAKAMORI
講者 / Speakers / 黃詩婷、賴英泰、沈伯丞、談明軒、吳若慈 / HUANG Shih Ting、Terrence Yingtai LAI、Bo Cheng SHEN、TAN Ming Hsuan、WU Jo Tzu
時間 / Time / 17. JUN. 2012 / 13:00 – 17:00
地點 / 智慧森林美國學校 / Forest of Wisdom English Academy / Tucheng / Taiwan
主辦單位 / Organizer / 奧賽德工廠 / Outsiders Factory
協辦單位 / Assist / 智慧森林美國學校 / Forest of Wisdom English Academy
語言 / Language / 中文 / Mandarin Chinese
photo / Yi-Wen CHOU
本次首屆「密室談」的議題有三項，本屆與談人也是根據這三項命題而邀請的：
(1) 藝術賞析的感動經驗為何？藝術的感動經驗在20世紀的藝術觀念化之後，逐漸被忽視。是否今日的台灣當代藝術也不再重視藝術的感動經驗？藝術的感動經驗是否重要？我們如何討論或建構藝術的感動經驗？
(2) 藝術理論和哲學有何差異？該如何解釋台灣當代藝術越來越借重哲學論述的傾向？哲學理論是否真有對台灣年輕藝術家造成影響？我們該如何透過哲學理論建構藝術作品？
(3) 當代藝術中的歷史建構為何？在90年代結束之後，台灣當代藝術是否已經忽視了台灣歷史的建構或討論？為什麼？台灣歷史的建構是否重要？區域歷史經驗於藝術中的建構是否等同區域化？我們如何建構針對台灣歷史於藝術場域的討論？
This time we will discuss 3 main topics, the speakers are invited by their profession to discuss these topics:
(1) What’s the “moving” experience in art appreciation? The moving experience of art seems being ignored, when the art was conceptualized in 20th century. Does Taiwanese contemporary art today also abandons the moving experience? Is moving experience still important? How could we discuss or construct the moving experience in art today?
(2) What’s the difference between art theory and philosophy? Why Taiwanese contemporary art focuses more on the discussion of philosophy, and how could we explain it? Are philosophy theories really affecting Taiwanese young artists? How could we construct art works through philosophy theories?
(3) What is the historical construction in contemporary art? Did Taiwanese contemporary art really ignore the construction or discussion of Taiwanese history? Why was that? Is the construction of Taiwanese history important? Is the construction of local history in art equal to localization? How could we build up the discussion of Taiwanese history in the field of art?
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